http://tvtropes.org/pmwiki/pmwiki.php/Anime/SaintSeiyaLegendOfSanctuary
Watch Saint Seiya: Legend Of Sanctuary in HD quality online for free. My review on Legend of Sanctuary: I loved it for the most part. Of the manga/anime. Angel Sanctuary Episode 2 English Dub Online at test. Ru C1 HD up to. Movie Subtitle Indonesia Download Bioskop Box Office layarkaca21 lk Film.
Go To
Save your Athena... Again.
'Young men... I entrust Athena to you.'
Advertisement:
Saint Seiya: Legend of Sanctuary is a 3D animation movie, inspired by the Sanctuary arc from the original Saint Seiya manga and intended as a Continuity Reboot of the anime series. Directed by Keiichi Sato (Tiger & Bunny, Karas), the movie was released in Japan on June 21, 2014.
The film follows Saori Kido, a young girl troubled by her mysterious powers. Upon being saved by Pegasus Seiya from an assassin sent to kill her, she learns that she is the reincarnation of Athena, the Greek God of Warfare who comes back to Earth to fight evil every time it threatens mankind. She should be aided and protected by her army, the Saints; however, when Saori's powers started to awaken, the Saints' leader, the Pope, deemed her a fake and ordered her assassination.
Seiya gathers his friends, fellow Bronze Saints, and follows Saori into Athena's Sanctuary, where they intend to confront the Pope and discover his true intentions. On their way to him, however, they will find themselves face to face with the most powerful Saints, the Gold Saints — Sanctuary's guardians, who protect the Pope and believe his claims.
Advertisement:
Saint Seiya: Legend of Sanctuary provides examples of:
- Adapted Out:
- None of the Bronze Saints personal backgrounds or goals are adapted, making for less developed but easier to follow incarnation of the characters. To elaborate: Seiya's goal of finding his older sister doesn't exist in the movie, his goal is purely Saori's protection; Hyoga's backstory involving his mother and avenging her because of Aquarius Camus drowning her ship further in the sea is not adapted; and Ikki's love interest Esmeralda nor master are ever mentioned.
- Only one Silver Saint was adapted: Sagitta Ptolemy, the final knight that cursed Saori, making the heroes rush through the twelve houses. In the original manga and anime, the Pope sends more and more of them as assassins to kill Saori and the Bronze Saints before they eventually decide to fight back and take the battle to Sanctuary, and two Silver Saints (Marin and Shaina) are relevant to Seiya's backstory and progress through the Sanctuary; not to mention Shun wanted to avenge his master Deidalos's death at the hands of Piscis Aphrodite.
- Downplayed with Libra Dorko, Shiryu's Old Master in the source material. He is not mentioned at all in the film, yet it is implied Shiryu learned everything he knows about the Sanctuary and his techniques through him.
Advertisement:
- Adaptation Distillation: Inevitable, considering the movie is adapting 11 volumes into an hour-long movie, a lot of material had to be cut or changed for an abridged experience.
- None of the Bronze Saints backgrounds are adapted beyond them being trained by the Mitsumasa Kido organization for Saori' protection, as she is the reincarnation of Athena. Likewise, Saori is changed considerably to be turned into a Naïve NewcomerAudience Surrogate for newcomers in the franchise. Saori likewise instead of remaining in the entrance of the temple unconscious and slowly dying, goes with the Bronze Saints through the Sanctuary.
- Alongside this, due to the exclusion of multiple characters, the journey through Sanctuary is shorter as many of the Gold Saints react differently to a group of knights going with a young girl through the temple. While core scenes are adapted, others like the journey through the Gemini house, Ikki's conflict with Shaka Virgo or the duel between Shun and Aphrodite Piscis are cut.
- The final confrontation is straight up different from the source material, more akin of a pop-corn movie. In the source material Saga Gemini reveals himself to Seiya in the final hour before Saori's eventual death, showing his evil personality and trashing the floor with Seiya and then Ikki. In the movie, feeling cornered, Saga kills Piscis Aphrodite and reveals himself to everyone, awakening multiple machines and becoming a giant monster for Seiya and Saori to defeat together.
- Adaptation Dye-Job: Shiryu has brown hair as opposed to his usual black; Virgo Shaka has red hair instead of blond hair.
- Adaptational Heroism: Capricorn Shura. In the manga, he was aware of Saga's Evil Plan and backed him up because he believed that Might Makes Right. In the movie, he didn't know and joins the Bronze Saints upon The Reveal.
- Adaptational Villainy: Although he is revealed to have been the Big Bad of the Sanctuary Arc all along in the manga too, Gemini Saga had dissociative identity disorder; part of him was a good man and wanted to back down, but was a prisoner of his own evil self. In the movie, he was once a good man and then he became corrupted and evil, while still believing himself to be a Well-Intentioned Extremist at heart.
- Age Lift: At least the heroes are confirmed as slightly older than their manga and anime counterparts, with Athena's rebirth having happened sixteen years ago, instead of thirteen. If the age variations between the heroes are the same as in the manga, that would make Seiya and Shun sixteen, Hyoga and Shiryu seventeen and Ikki eighteen.
- All Your Powers Combined: While countering Saga's Galaxian Explosion near the end, Seiya claims to not be fighting aloneand summons a gauntlet made up of his friends' armor designs to punch the huge energy sphere away.
- Alternate Continuity: The movie takes and adapts the Twelve Temples arc of the original series, but pragmatically and with some twists and turns.
- Audience Surrogate: Saori Kido, of all people, is this at least during the first half of the movie.
- Awesome Moment of Crowning: For Saori, near the end of the movie, as the Sanctuary and herself finally recognize her as the true Athena.
- Battle Aura: Cosmo, as usual. The movie goes a little further by making the Saint's aura to materialize in the shape of their bodies before shaping into their signature attacks
- Big Bad: Sanctuary's Pope. But not the real Pope, who was murdered by Gemini Saga years ago. Saga is secretly the Big Bad Pope.
- Big Heroic Run: It's the Sanctuary arc, so it's a given.
- Brainwashed and Crazy: Leo Aiolia after confronting the Pope about Athena. Virgo Shaka eventually saves him.
- Bullet Time: Any time a Gold Saint gets in combat to show how faster they are to the Bronze Saints
- Butterfly of Death and Rebirth: Butterflies are always seen every time a character is about to die.
- Carpet of Virility: Unusual for a Japanese production: Deathmask's armpits are hairy and we get a glimpse of his hairy body after he loses his armor, and Aioria only wears his breastplate, which shows a glimpse of his hairy chest.
- Calling Your Attacks: Say it with me: 'PEGASUS RYUSEI KEN!'
- Canon Foreigner: The false Athena. In the original series, the villain merely claims Athena stays inside her temple and forbids others from entering. Considering how hard would be to fool everyone with an excuse like that, the movie went with an illusion of Athena.
- Cast Full of Pretty Boys: Even more with the new artstyle.
- Circus of Fear: Cancer's Temple aesthetics lean towards this style, with its bright yet grotesque discord of colors, light and music. Deathmask even makes his entrance by descending with the help of a bunch of balloons.
- Collapsible Helmet: Helping Helmets Are Hardly Heroic, the helmets are retractable, so unlike the anime they can be snapped into and out of place reflexively — no need for characters to constantly have them punched off or removed. The heroes actually put them on and off at various times.
- Colour-Coded for Your Convenience: The Main Bronze Saints.
- Cool Mask: The Pope now wears one that looks like a combination of a skull and an Incan headress.
- The new motuh-plated helmets give this feel too.
- Damsel in Distress: Saori, as per tradition. Considerably less so than in the original manga and anime, though, as thanks to her healing powers and going with the Bronze Knights trough the temple.
- Death Equals Redemption: Mortally wounded, Gemini Saga has a sort of Heel Realization when Saori still tries to help him despite everything he's done to her. She forgives him and he dies, seemingly in peace.
- Demoted to Extra: Pisces Aphrodite, who had a rather larger role in the manga. Libra Dohko and his Cloth also qualify, since the former gets only a quick mention and the latter doesn't appear at all.
- The Dog Was the Mastermind: The Big Bad turns out to be the Saint who seemingly died in the opening scene.
- Dungeon Bypass: Downplayed. Seiya claims he's going to be doing this, but all he does is to jump ahead the very same temple they were going to anyway. His team mates even arrive slightly earlier than he does.
- 11th-Hour Superpower: Seiya gets to use the Sagittarius Cloth against Saga's monstruous transformation at the end.
- Fashionable Asymmetry: Gemini Saga dons a half-gold, half-black Cloth. The golden pieces are ornate and slightly round, whereas the black pieces are sleek, sharp and edgy.
- Gender Flip: Scorpio Milo is a man in the original manga and anime, but a woman in the movie.
- Glowing Eyes: All the Saints have them whenever they ignite their cosmos. Some them even bear rather different colors whenever they do; like Shiryu, whose brown eyes turn into golden.
- Green-Eyed Monster: Gemini Saga, while acting like a Well-Intentioned Extremist, finally admits by the end that this is the last straw that made him snap: he was widely considered (by himself, even) the best Saint there is, but the Pope chose the humble Sagittarius Aeolus over him as his successor. Saga didn't take it well and found a way to have both the Pope and Aeolus killed before his choice went public.
- Healing Hands: Saori/Athena's cosmo mostly manifests as an ability to heal, though by the end she's able to pull Super Empowering to charge up an arrow to defeat Saga.
- Helmets Are Hardly Heroic: Both played straight and subverted. The trailers show that the Bronze Saints lose their helmets eventually, but they do wear them in the beginning and in this universe they cover more, having face plates.
- Imperial Stormtrooper Marksmanship Academy: Saga has Seiya on his knees, wounded and completely stationary, yet the closest shot he takes at him just barely hits his armor's shoulder.
- Large Ham: Cancer Deathmask. So. Much. For starters, his temple has singing heads on the walls and floors that help him put on a musical number about the inevitability of death. Then there's the whole pscyho Blood Knight thing played with happy-go-lucky camp.
- Lighter and Softer: The violence and tragedy elements from the original manga and anime are considerably toned down in this movie, and the horrible abuse the Saints endured during their childhood (including their Training from Hell) is completely omitted.
- Light Is Not Good: The Gold Saints are the antagonists of the movie, and their very color scheme represents light. However they are just following orders. Except for Deathmask, who is fond of killing.
- Luckily, My Shield Will Protect Me: Shiryu's Dragon Shield, even from a Gold Saint's punch, as shown in the trailer.
- Mr. Exposition: One scene has Shiryu name each of the temples and go on to explain who are the people the Bronze Saints are up against... only to realize Seiya and the others are sneaking away at comically high speeds.
- Mr. Fanservice: Most of the cast, especially Shiryu, who has been shown to lose most of his armor (and his shirt) during the movie.
- Mythology Gag: The first line Seiya delivers after armoring up for the first time is taken directly from the 'next episode' stingers of the classic series.Seiya: Hey, you. You're supposed to be a Saint, right? Have you ever felt true cosmos in your heart?
- Names to Run Away from Really Fast: Cancer Deathmask, who looks even more evil with his Cloth's Spikes of Villainy and his Beard of Evil.
- Power Gives You Wings: Seiya in the Sagittarius cloth, a Gold Saint armor that granted him wings to fly and fight Saga's giant transformation.
- Rapid-Fire Fisticuffs: Seiya's Pegasus Ryusei Ken and Aiolia's Lighting Plasma, mirroring the source material.
- Scenery Porn: The Sanctuary is beautiful. And every palace is gorgeous, especially those of Leo and Aquarius.
- Save the Princess: The Bronze Knights have to protect and serve Athena, ergo Saori, who has to go through the Sanctuary to reclaim her title.
- Shirtless Scene: The second trailer briefly displays Shiryu, though its not surprising.
- The Smurfette Principle: Milo is the only female Gold Saint, all the other eleven being male.
- Spared by the Adaptation: Capricorn Shura and the Silver Saints.
- Stellar Name: Not the given names, but all Saints and their respective Cloths represent one constellation.
- The Stinger: It features the Bronze Saints throwing a birthday party for Saori, mirroring and confirming the statement she made during her Awesome Moment of Crowning – That before being powerful warriors, they're ultimately kind and generous people.
- Trailers Always Spoil: The second trailer showed Seiya in the Sagittarius Cloth, something that didn't happen in the original manga.
- Transformation Trinket: In this version the cloths transform into what seems to be dog tags, for transportation.
- Tron Lines: The movie versions of many Cloths have this.
- Villain Song: Cancer sings one entitled 'Mr Deathmask', in which he also forces the souls of his victims to sing with him, just to display his ego.
- We Hardly Knew Ye: Gemini Saga dies on the line of duty in the opening scene. Or so it seemed.
- Pisces Aphrodite is killed by the Pope due to You Have Outlived Your Usefulness before he even gets to fight.
- The Worf Effect: That arrogant jerk Ikki who is played up as stronger than the other Bronze Saints shows up near the end just to help Shun and the others like he always did in this series' past movies. Except he gets easily beaten up off screen this time.
- You Have Outlived Your Usefulness: Upon deciding he has absorbed enough of Athena's cosmo, the Pope decides that he doesn't need the Gold Saints anymore and kills Pisces Aphrodite.
- You Gotta Have Blue Hair: We have purple (Saori, Aries Mu), green (Andromeda Shun, Aquarius Camus) and, of course, blue (Pisces Aphrodite).
- Zeppelins from Another World: Seen flying over the Sanctuary. They go along well with the futuristic yet antique aesthetic that it permeates all over its new design.
Index
Sanctuary (聖域 , Sankuchuari) is a fictional location from the manga series Saint Seiya, authored by Masami Kurumada, later adapted to anime. It is also the residence of an organization with the same name.
- 2Geography, location and structures
The organization[edit]
The leader of the Sanctuary is Athena in her human reincarnation. But since Athena only descends down from Olympus as a human incarnation only once every roughly two hundred years, the charge was left mainly to the Pope, the highest rank of the Sanctuary, and her second in command, followed by 88 Saints and more soldiers.
The goal of the Sanctuary is to protect Athena and maintain peace of the world in secret, with least to no interference on most of the affairs around the world in which most of the world population can solve problems on their own.[1] Sanctuary will intervene only when the things that threaten to destroy peace of the world cannot be handled by any other means but the power of Cosmo, most of them cataclysmic and are of divine forces. An example of these is the melt down of the Nuclear Plant at Three Mile Island, Pennsylvania, USA.[2]
In the beginning of the Saint Seiya original series, battles are fought to win back the control of the Sanctuary from Gemini Saga, the impersonator of the former Pope. This Sanctuary arc is but a prelude in order to control the Sanctuary, the only place from which Athena and her Saints can protect the world against the yet greater threats.
It appears later in the series that Sanctuary is not the only organization in the world that know about Cosmo. In the second arc of the series, the Poseidon arc, the Sanctuary faces a great threat from the cataclysmic Flood, summoned forth by Poseidon to 'cleanse the world of evil'. His armies and Mariners too know how to utilize the power of Cosmo. The strongest of these are the Marine Generals. And Sanctuary is again on the move.
The biggest threat is later revealed in the next arc of the series, the Hades arc. It is said that the very existence all the Saints within the Sanctuary was to protect the world from this threat: Hades and his Specters. Hades and his army, unlike Athena and hers, do not share the same ideology of leaving the world in peace and unite them with love. They seek to unite them under their power, and thus, protecting the earth by imposing one domination. They even think that the peaceful world such as this one will weaken human. And so they try to change the world filled with love like in Athena's ideology into the lifeless one like in Hades'.[3] And, like Poseidon and his army, Hades and his too possess the power of Cosmo. The destruction of the Sanctuary, along with Athena's life, is their primary goal. In Saint Seiya prequel and sequel official : Saint Seiya: Next Dimension Myth of Hades, Hades and his armies also aim for this. Several times in this manga is shown the structure and the formation of the sanctuary.
In Saint Seiya alternative, the Lost Canvas: Hades Mythology, Hades and his armies also aim for this.
In Saint Seiya alternative, the Episode G, it is revealed that Sanctuary is also the place where the most powerful weapon of the Titans is sealed. The Titans and their minions storm this place many times in hope to retrieve back what they desire.
Geography, location and structures[edit]
Sanctuary is located somewhere within a deep mountain range, near Athens, Greece. Its land is cloaked, and its existence is secret known only to those involved.[4] Although the exact location has never been stated, it is hinted in the original manga that it is within the range one can travel on foot from Athens.
It is the place where almost every Saint Seiya arc revolves around, including Next Dimension, Episode G and the Lost Canvas, consisting of these following main structures
The Colosseum[edit]
The Colosseum (コロッセオ, Korosseo) is very first place of the Sanctuary that appears in the franchise. It is where Seiya becomes the Pegasus Saint. It is used to hold tournaments and fights to determine the wearer of the Clothes and a place for practice.[5]
This place is located very near to the foot of the Gold Zodiac, as Saori Kido and the five main Bronze Saints are welcomed and introduced to the Gold Zodiac by Sagitta Ptolemy here.[6]
The Fire Clock[edit]
The Fire Clock (火時計, Hidokei) is the most prominent structure along with Athena's Colossus. The Fire Clock is a colossal clock tower with four dials that can be seen from anywhere in the Sanctuary. On each dial of the Clock, twelve fires are lit. Each flame represents an hour of each sign, from Aries to Pisces. The first flame will burn out in the first hour, and the second in the second, and the third in the next, and so on. In total, it takes twelve hours for before the last fire burn out.[7]
The dials are only lit to mark or time important battles or events: twice in the original manga series, first marking the battle of the Sanctuary[8] and second marking the invasion of the Spectres and the start of the new Holy War;[9] and once in Episode G, marking the Gold Saint Summon.[10]
The Twelve Temples[edit]
The Twelve Temples is the largest part of the Sanctuary, consists of twelve temples representing the twelve Zodiacs.[11] All the Twelve Temples were built in Greek architecture since the ancient time. They align themselves over high peaks, ridges and slopes of the mountains, from the first sign to the last; namely, Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn, Aquarius and Pisces Temple. However, through wars and the passage of time, many Temples have fallen into decay. And, in the manga versions, Aries Temple has only pillars still standing.[12]
All the Temples are connected by a single long flight of steps connecting the first Temple to the next and so on. These Temples also serve as forts, as they all have Gold Saints of the corresponding signs assigned to them. In addition to the Gold Saints manning the fort, the path and all around the Zodiac are blessed by Athena's Cosmo, serving as holy barriers preventing lesser evils and teleportation between Temples.[13][14] Thus, all those who desire to pass through them must only thread this path afoot. And due to such severe defense, no enemy without Athena's blessing has ever reached the topmost part of the Sanctuary which they protect since the ancient time.[15]
Most Gold Saints with a few exceptions reside here. It has never been shown in the original manga that there are residential parts in these Twelve Temples. But in Episode G, these parts are integrated into them.[16][17]
In Episode G.[18] the Twelve Temples are called The Gold Zodiac (黄道十二宮, Kōdō Jūnikyū).
The thirteenth temple zodiacal[edit]
The thirteenth temple belongs to the thirteenth zodiac sign, Ophiuchus. Halfway between the eighth temple of the Scorpion and ninth temple of Sagittarius, there is the 13th temple of the gold saint cursed, Ophiuchus. This temple is underground, and it was hidden at the time of myth, in order to conceal its existence[19]
The Pope's Chamber[edit]
The Pope's chamber (教皇の間, Kyōkō no ma) is located almost at the top of the Sanctuary, just right below Athena's Colossus, and above the Gold Zodiac.[20] The audience chamber is located here. It is also the residence of the Pope and Athena, and therefore, the most protected part of the Sanctuary.[21]
Aside from the protection provided by the Gold Zodiac, Pisces Saint also places Royal Demon Rose garden on the steps connecting Pisces Temple to the Pope's Chamber to prevent intrusion. Unwitting enemies can end up dead here if they don't realize the lethality of Royal Demon Roses' fragrance.[22][23]
In addition, there seems to be a means to bypass all the defense of the Gold Zodiac and reach this place. However, very few know of its existence.[24][25]
Athena's Colossus[edit]
Athena's Colossus (アテナの彫像, Atena no Chōzō) is a colossal statue overlooking the Sanctuary from the topmost part, accessible only through the Pope's Chamber.[26][27] At first glace, the Colossus itself does not seem to have any significance but for decoration and symbolizing Athena. However, it holds many secrets that only few alive now know of.
It is revealed later that the shield in the left hand of the statue is the Aegis Shield that can dispel any evil. And Nike in the right hand of the statue is, in fact, the Golden Staff that Athena herself carries at all times, calling forth miracles and bringing victories to her Saints.[28] And all of them, including the body of the statue, are one large Cloth. It is Cloth of Athena itself sealed there since the ancient time. With her holy blood, the Cloth can be reawakened and reverted into its true form.[29]
Furthermore, the placement of the statue has its significant meaning. It purposefully marks the Chamber of the Seal right underneath.[30]
![Saint Seiya Legend Of Sanctuary Part 2 Layar Kaca 21 Saint Seiya Legend Of Sanctuary Part 2 Layar Kaca 21](http://3.bp.blogspot.com/-fxWo-ZnvgQM/UB_cn6S6vjI/AAAAAAAAFcU/4VgBOxJ_D-k/s1600/Saint%20Seiya%20Omega%20Ep.%2018-19%20Indonesia%20by%20anime4six.jpg)
Star Hill[edit]
Star Hill (スターヒール, Sutā Hīru) is an isolated part of the Sanctuary, said to be the closest place to heaven. Star Hill is a very tall vertical peak with a cathedral on top of it. Only the Pope of each era is granted access to Star Hill. The passage to this place is ridden with lethal traps and mechanisms. From here, in Athena's place, the Pope reads and interprets movements of the stars, predicting the future of the world. And here too, the assassination by which the Sanctuary is moved takes place.[31][32] In Saint Seiya Next Dimension, we find that, by performing a teleporter by the star hill, you can reach the slopes of Mount Olympus the abode of the gods.[33]
Cape Sounion Prison[edit]
Cape Sounion Prison (ケープスニオンの監獄, Kēpu Sunion no Kangoku) is a watery prison overlooking from a wall of the tall cliff at Cape Sounion, used to imprison the captives of the war of the gods.[34] It is said (and soon proven wrong) to be so strong that it needs someone of divine power to break free.[35] Behind the rear wall of the confinement, in a rocky chamber with no apparent access, holds Poseidon's Trident sealed by Athena.[36]
The barred window of the prison overlooks the sea, and is placed just above water level when the tide is low. When the tide is high, sea water can flow through the bars and overflow the confinement. Although this does not kill the prisoners, it is a very gruesome torture.[37]
![Saint seiya legend of sanctuary part 2 layar kaca 21 online Saint seiya legend of sanctuary part 2 layar kaca 21 online](http://2.bp.blogspot.com/-ptsC3mrAJcs/VIsRGx9aWyI/AAAAAAAAFI0/TmHmICg25Lg/s1600/saint_seiya_legend_of_sanctuary.jpg)
Gemini Saga uses this place to imprison his twin brother, Gemini Kanon for his brother's evil and for trying to sow darkness within him.[38]
Saint Graveyard[edit]
The Saint Graveyard (聖闘士 の墓場, Seinto no Hakaba) is the eternal resting place of the fallen Saints located somewhere in the lower parts of the Sanctuary, adjacent to the Gold Zodiac, and is also one of many ways through which one can reach the foot of the stairs to the Aries Temple.
In Episode G, an invisible army of the Titans tries to pass through this place to the Twelve Temples, only to be stopped by the cryomancer of the Sanctuary, Aquarius Camus.[39] And here too, is the place where the invasion of the Sanctuary in Hades arc begins.[40]
Twin Sala Garden[edit]
Twin Sala Garden (双沙羅の園, Sōsara no Sono) is a beautiful vast garden created and tended by Virgo Shaka, located right next to Virgo Temple, off the main path, and accessible through a door within the Temple. All manners of beautiful flowers grow here, along with prominent tall twin Sala trees.
The Garden is introduced in Hades arc as a place Virgo Shaka prepared for his own foreseen death.[41] According to the Tripitaka, Gautama Buddha was said to lie down and reach his Nirvana underneath the Sala trees. The Garden is, therefore, fashioned in a similar manner for Shaka's final moment.
It is also the place where one of the biggest fights in Hades arc takes place.[42]
In Saint Seiya Next Dimension, we find that, hath someone manages to overcome the 'Buddha no Shimon'(the powerful and sacred protective barrier that the gold saint of the virgin use to defend the sixth house) you end up directly in the Twin Sala Garden.[43]
Chamber of the Seal[edit]
The Chamber of the Seal (封印の間, Fūin no Ma) is a chamber positioned directly underneath the feet of Athena's Colossus, mentioned only in Episode G. Wards and holy spells in Greek are written all over the floor, ceiling and walls. A large black scythe with its blade through the floor is chained up at the center.
After Titanomachy, Zeus won the throne from Cronus and successfully deposed him. He decided to seal his father's weapon, along with all his power and Cosmo away in the safest place of all the Sanctuary. Cronus' Soma, the aforementioned scythe, Megas Drepanon, is sealed here in this chamber. Almost the entire Episode G revolves around this weapon.[44]
References[edit]
- ^Saint Seiya Episode G, vol.1, chapter 2, p.61, by Megumu Okada
- ^Saint Seiya Episode G, vol.1, chapter 2, by Megumu Okada
- ^Saint Seiya Episode G, vol.2, gaiden, by Megumu Okada
- ^Saint Seiya Episode G, vol.1, chapter 4, p.102, by Megumu Okada
- ^Saint Seiya Episode G, vol.1, chapter 4, p.104, by Megumu Okada
- ^Saint Seiya, vol.8, p.71, by Masami Kurumada
- ^Saint Seiya, vol.8, p.79 and p.87, by Masami Kurumada
- ^Saint Seiya, vol.8, p.79, by Masami Kurumada
- ^Saint Seiya, vol.19, p.103-111, by Masami Kurumada
- ^Saint Seiya Episode G, vol.1, chapter 4, p.148-149, by Megumu Okada
- ^Saint Seiya, vol.8, p.74-75, by Masami Kurumada
- ^Saint Seiya, vol.8, p.73 and p.81-83, by Masami Kurumada
- ^Saint Seiya, vol.19, p.13 and p.24, by Masami Kurumada
- ^Saint Seiya, vol.21, p.8, by Masami Kurumada
- ^Saint Seiya, vol.8, p.75, by Masami Kurumada
- ^Saint Seiya Episode G, vol.1, chapter 4, p.102, by Megumu Okada
- ^Saint Seiya Episode G, vol.1, chapter 5, p.146-148, by Megumu Okada
- ^Saint Seiya Episode G, vol.1, chapter 4, p.171, by Megumu Okada
- ^Saint Seiya Next Dimension, vol.7 by Masami Kurumada
- ^Saint Seiya, vol.8, p.74-75, by Masami Kurumada
- ^Saint Seiya, vol.19, p.72, by Masami Kurumada
- ^Saint Seiya, vol.12, p.14 and p.81-83, by Masami Kurumada
- ^Saint Seiya the Lost Canvas: Hades Mythology, vol.3, chapter18, p.57, by Shiori Teshirogi
- ^Saint Seiya, vol.19, p.72, by Masami Kurumada
- ^Saint Seiya the Lost Canvas: Hades Mythology, vol.1, chapter 6, p.191, by Shiori Teshirogi
- ^Saint Seiya, vol.8, p.74-75, by Masami Kurumada
- ^Saint Seiya Episode G, vol.1, chapter 4, p.119, by Megumu Okada
- ^Saint Seiya, vol.12, p.103-105, by Masami Kurumada
- ^Saint Seiya, vol.22, p.65-170, by Masami Kurumada
- ^Saint Seiya Episode G, vol.1, chapter 4, p.119-120, by Megumu Okada
- ^Saint Seiya, vol.12, p.109, by Masami Kurumada
- ^Saint Seiya, vol.13, p.49-53, by Masami Kurumada
- ^Saint Seiya Next Dimension vol.2 by Masami Kurumada
- ^Saint Seiya, vol.18, p.26, by Masami Kurumada
- ^Saint Seiya, vol.17, p.172, by Masami Kurumada
- ^Saint Seiya, vol.18, p.28-31, by Masami Kurumada
- ^Saint Seiya, vol.18, p.27, by Masami Kurumada
- ^Saint Seiya, vol.17, p.173, by Masami Kurumada
- ^Saint Seiya Episode G, vol.2, chapter 7, p.80-84, by Megumu Okada
- ^Saint Seiya, vol.19, p.30, by Masami Kurumada
- ^Saint Seiya, vol.21, p.83-84, by Masami Kurumada
- ^Saint Seiya, vol.21, p.83-140, by Masami Kurumada
- ^Saint Seiya Next Dimension vol.7 by Masami Kurumada
- ^Saint Seiya Episode G, vol.1, chapter 4, p.120, by Megumu Okada
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Sanctuary_(Saint_Seiya)&oldid=848520915'